A Thematic Catalogue of the Works of Michel-Richard de by Lionel Sawkins

By Lionel Sawkins

As leader court docket musician to Louis XIV and Louis XV, Michel-Richard de Lalande is mainly remembered for his luxurious orchestral motets and lots more and plenty beautiful instrumental track. during this thematic catalogue of his track, Lionel Sawkins illustrates the composer's song with over 3,000 track examples, information of appearing standards and of all resource fabrics, in addition to with complete indexes and thematic locators.

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See: ‘An Introduction to Lalande’s Secular Works’ Gh 2 (TG) ‘Ghost’ source 12 suites [as listed in ‘Table Générale’ of Sym581 1736-45] See: ‘An Introduction to Lalande’s Secular Works’ xxxii Source Codes and Descriptions Gh 3 ‘Ghost’ source 18 suites [serving as source of Sym3077 1727-36 and Sym581 1736-45] See: ‘An Introduction to Lalande’s Secular Works’ HsBabel 1696 D-Hs , ND VI 2762 Tous les Anciens Ballets de feu Monsieur Jean Baptiste de Lully remis en Ordre par Charles Babel A la Haye en 1696, pp.

6v; from 6v to the end), tp: ‘Le Ch[eva]l[i]er Deserre’, with stamp of Académie des Beaux-Arts, Lyon, on tp and p. , bound in brown calf, with arms of the Academy. [A. Deserre (1649-1723) was secretary of the Academy, founded in 1713; the score is in the Academy’s inventory of 1768] LYmAc F-LYm Ms 133605, 133630, 133647, 133657, 133745; 27306-8, 27328, 27334 Dominus regnavit, Exurgat [Deus], Confitebor [Ps. 110], Cantate Domino [Ps. 97], Ad te Domino clamabo , Deus in adjutorium, Confitemini , Notus in Judaea , Benedictus [Ps.

Dans le nombre de mesures (donné au premier exemple de chaque mouvement), les mesures en anacrouse (incomplète) sont incluses, mais les reprises identiques ne sont pas prises en compte ; toutefois, les petites reprises, même si elles sont indiquées textuellement ou par un sigle sont incluses, ainsi que les reprises avec des fins différentes (avec « 1ère fois » et « 2e fois »). Titre des mouvements et/ou effectifs. RÉCIT; CHŒUR etc. signifie que le chœur rentre par la suite en utilisant le même matériau thématique ; RÉCIT / CHŒUR etc.

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